Filippino Lippi (Filippino Lippi) – Florentine painter mediascope circle, the most talented of students Sandro Botticelliin some aspects, according to some researchers, even surpassed his teacher.
In the famous book Giorgio Vasarithere are two chapters called "The biography of Filippo Lippi Florentine painter" - I and I. If you skim the table of contents (very simple operation can give an idea of the scale and geography of Italian painting), you'd think the author made a mistake. Not cope with the enormous amount of information and duplicated the head. But by moving the sharpness, we will notice one tiny difference: in front of Filippo Lippi of the Chapter there is another word "fra" means "brother", the traditional appeal to the monk.
For connoisseurs of painting here, of course, no intrigue, no. In the history of the early Italian Renaissance, there were two persons with the same name Filippo Lippi – the father and the son. As he and the other painters were famous and skilful, that they are not confused, the younger began to call him childish, diminutive name – Filipino.
But wait a minute, can think suddenly thoughtful neophyte. If first Lippi, fra Filippowas not only an
Filippo Lippi and his life troubles
Fra Filippo Lippi () was one of the protagonists of the Florence art scene, during the second half of the 15th century. He was the master of Sandro Botticelli, and father of Filippino Lippi, another painter that we meet at the Uffizi.
In the Lives, Vasari tells that Filippo entered the Carmelites monastery, in the Oltrarno district, when he was 8. In Santa Maria del Carmine – the Carmelites’ church – many years later, his son Filippino completed the famous Masaccio’s frescoes of the Cappella Brancacci.
In , Filippo became friar: for this reason in Italian he is called Fra Filippo. During the 30’s he moved from Florence to Padua. According to Vasari, during a short trip by boat, Lippi and some friends have been kidnapped and enslaved by the Moors. One day – after more than a year – Filippo made the portrait of his master on a wall, using a piece of coal. Moors did not know painting: they considered Filippo’s art a miracle, and released him.
In , Lippi came back to Florence and opened his own workshop. In the following years, he worked for many important Florentine families and even for Palazzo Vecchio. However, it is known th
15 Facts About Filippo Lippi: The Quattrocento Painter from Italy
Published Sep 13, written by Heidi Murray, MA Conservation of Fine Ar
Filippo Lippi is one of the many significant Italian Renaissance artists of the Quattrocento. His works, while religious in context, reinvented the representation of biblical figures. His application of color and experimentation with naturalism allowed for a new way of viewing religious imagery.
Filippo Lippi Biography
Filippo Lippi was born in Florence, Italy in to a butcher named Tommaso. When he was two years old, he was completely orphaned after the death of his father. He then lived with his aunt, who eventually placed him in Santa Maria del Carmine’s convent after being unable to afford to take care of him. Lippi’s first contact with art came from the frescoes by Masaccio in the Brancacci Chapel of Santa Maria del Carmine. At sixteen he took vows as a Carmelite friar. Despite his position as a “holy man,” he was anything but. He repeatedly broke his holy vows, causing him to be an interesting foil to his contemporary Fra Angelico. The church released him from his religious obligations, being able to pursue painting in its en
Fra Filippo Lippi
| Florentine painter Country: Italy |
Content:
- Fra Filippo Lippi: Florentine Master of the Annunciation
- Influence and Artistic Development
- Early Works
- Master of the Annunciation
- Career and Achievements
Fra Filippo Lippi: Florentine Master of the Annunciation
Early Life and EducationFra Filippo Lippi, born Filippo di Tommaso, was a renowned Florentine painter who excelled in the depiction of the Annunciation. He was born in Florence on October 8, , into the family of an impoverished butcher. After losing his parents at a young age, he was cared for by his aunt. At the age of 15, he was taken into the care of the Carmelite friars of the Carmine Monastery, where he took monastic vows.
Despite his religious vocation, Lippi's interest in art prevailed. Instead of studying, he spent his time drawing, defacing his books with "grotesque figures." The prior recognized his talent and allowed him to pursue his artistic endeavors.
Influence and Artistic Development
Lippi's artistic development was influenced by the work of Masolino da Panicale, Masaccio, and Fra Angelico. Masaccio and Masolino were active in Florence during Lippi's youth, and thei
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