Jacqueline du Pré
The tragedy of du Pré’s brief career is still fresh in the public memory and can be summarised here. She was born in Oxford on 26 January into a middle-class family in which music was important: her mother was a fine pianist and a gifted teacher. The French-sounding name came from her father’s Channel Islands ancestry. Just before her fifth birthday, when she was already showing musical promise, she heard the sound of a cello on the radio and the course of her life was set. She studied at Herbert Walenn’s London Violoncello School and at ten became a pupil of William Pleeth, who had himself studied with Julius Klengel. Pleeth played with a good deal of uninhibited body movement and passed this trait on to du Pré, whose total physical involvement in her playing was to endear her to audiences. She made a successful London recital début in , studied with Casals in Switzerland, Tortelier in Paris and Rostropovich in Moscow with varying degrees of success – one wonders what these players could have taught such a natural musician – and gradually consolidated her reputation at home. She began recording for EMI in and by , when her famous disc of the Elgar Concerto wa
British cellist William Pleeth died on April 6, , at the age of He was one of the great cellists and pedagogues of the 20th Century.
Pleeth was born in , in London, to an Polish emigre family. Several generations of his family had been professional musicians, so it was no surprise when he showed great promise as a cellist at the young age of seven. At the age of ten he became a pupil of Herbert Walenn at the London Cello School. He studied for two years with Klengel at Leipzig, on a scholarship, and was the youngest student ever admitted to that program. By the time he was 15 years old, he had learned all the Bach Suites, all the lPiatti Caprices and 32 concertos, 24 of which he had memorized!
Pleeth met Feurermann at Leipzig, and performed with him in a quartet for four cellos, written by Klengel. The other cello parts were played by Fritz Schertel and Klengel. It was also in his fifteenth year that the prodigy began performing publicly as a soloist, having mastered the Dvorak and Haydn D Major concertos. In , his career was well launched when he performed the Schumann Concerto with Sir Adrian Bjoult and the BBC Symphony Orchestra on the radio.
Chamber music was his passi
Jacqueline du Pré *I 26 — The Life You Give
Her story is one of the most legendary of all twentieth century musicians&#; stories, and also, one of the most tragic. Cellist Jacqueline Du Pré, born on January 26, , in Oxford, England, to Derek and Iris Du Pré. (Despite the family name, Derek Du Pré was not French, but rather of British Channel Island ancestry; he could trace his lineage back to the Norman Conquest). She blossomed young and achieved international fame in a few short years during the mids, during which same time she joined Daniel Barenboim in one of history&#;s most celebrated musical marriages. But her career was shattered in the early s &#; not even a decade into its maturity &#; by multiple sclerosis.
It was through her mother Iris, a pianist and teacher, that young Jacqueline was first introduced to music. She was given a cello at age four, began lessons with Alison Dalrymple at the London Violoncello School some months later, and by age ten was studying with William Pleeth, eventually enrolling as his student at London&#;s Guildhall School of Music. While at Guildhall she was the recipient of virtually all the school&#;s internal awards and recognitions,
Jacqueline du Pré quotes
I’m sitting deep in the New Hampshire countryside listening to Jacqueline du Pré and her then husband Daniel Barenboim play the slow movement from the Brahms F major sonata. Gripped by that unique sound, vibrato, and slides, I am reminded why this great artist captivated me as a child, and continues to do so today. In the years since her tragic, untimely death from multiple sclerosis in , the British cellist Jacqueline du Pré has achieved a quasi-mythical status not just in music circles, but in the greater public at large.
And it’s not a mystery why:
Jacqueline du Pré (Jackie as her friends called her) was a musician of such incredible white-hot talent, a performer of unique magnetism, a personality so singular and charismatic, and a persona of such irresistibility and fascination that her silencing at just age 28 had an outsize impact on the music world and arts world at large.
If anyone has ever made the cello look so purely fun as Jacqueline du Pré did when she played, I have not seen that person. She exudes the pure natural joy and passion, and in her most intense moments she can send herself– and her listeners– into moments of ecstasy.
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